Its funny how one little statement can get you thinking.
“You know
what would look cool? A desert-camo 1911. That would really
look neat!”
When my friend said that to me, I got to thinking that it
would look kind
of cool, but how could you do it without the pistol ending up
looking
ridiculous? I could send my pistol out and have it re-finished,
but for
better or worse, I like doing things myself. I enjoy the
satisfaction
of saying “I did that.” The thought of
refinishing a handgun
in multiple colors and trying to get it to look
“right” began
to look like a daunting task. I decided that the only way I was
going
to get this project underway was to jump in feet first. I
disassembled
the pistol, took it to the blasting cabinet, and in a few
minutes I had
a pistol that needed to be refinished or it would die a rusty
death. Now
that the deed was done, I couldn’t procrastinate any
longer.
I put together a checklist of what I wanted out of the new
finish:
- Toughness – I
didn’t want something that would peel or
get eaten by cleaning solvents.
- Easy Application – If the
process was too complicated or too
costly, it was no good.
- Colors – Since I wanted
desert colors, just black or brown wasn’t
enough.
- Extras – If it did more
than just provide color, that would
be a major bonus.
I consulted Brownells
Catalog #57 and did some heavy-duty comparisons of
the products available.
I found that Brownells
Teflon®/Moly Oven Cure Gun Finish met all of the
criteria I had
established. It bonds to the metal and provides scratch and
abrasion resistance
and won’t break down from solvents and cleaners.
The whole project
can be completed in about 2 hours, and the variety of colors
available
suited my needs: Desert Tan and Coyote. The kicker was that
it also provided
Teflon® lubrication that would be baked into the metal,
giving an
additional level of protection. There are two types available,
an aerosol
and a liquid. I chose to use the liquid because of the
availability of
an airbrush system, but the aerosol is a great choice if you
don’t
have an airbrush system set-up.
Now that the decisions on color and product were made, I
got down to the
nitty-gritty of the project. Since I had already blasted the
parts of
the 1911 in order to get the process in motion, that step was
already
taken care of. I carefully sprayed the pieces with Brownells
TCE Cleaner Degreaser to make sure that the metal was
free of any
oils or crud that would affect the finish. After cleaning, I made
sure
not to touch the metal with my bare hands, as the bare metal
will easily
pick up the oils from your hands and leave a nice fingerprint
or smudge.
I used a pair of latex gloves just to be sure I didn’t
leave anything
unwanted on the metal. Once the pieces were prepared, I
used Black
Iron Wire to make hangers for the individual pieces to be
suspended
on. The larger parts, such as the slide and the frame, were
wired individually,
and the smaller parts were wired several to a strand.
| I made sure that
only the parts
that would be visible were used. Internal parts, such as
the disconnector,
sear, hammer strut, etc. were not included. In order to
keep the hammer/sear
engagement correct, I covered the engagement points on
the hammer
with Bedding/Masking
Tape. This would keep paint off of the hooks and
preserve the
trigger job I had already done. Once the parts were on the
wire, I
was ready to begin. |

Figure 1: Parts Prepared For
Finish
|
A critical part of getting the finish
properly
applied, and one that under no circumstances should be
overlooked, is
warming the parts prior to applying the finish. This will open
the pores
of the metal and allow for complete penetration of the finish
into the
metal. I set the oven on the “warm” setting,
which kept the
parts warm until I was ready for them. Do a little testing on
how hot
your “warm” setting is, just to make sure you
can handle the
parts… dropping them is not something you want to
do at this stage.
I moved the oven rack to the highest level in order to hang
the parts
without having them touch the bottom of the oven. Wiring
the frame and
slide at two different points will help hold them up, since they
are the
heaviest pieces you are dealing with.
Figure 2: Slide Ready For
Airbrushing |
Now that the
pieces are warming in the oven, make sure
that the area in which you will be applying the finish is
well-ventilated.
The fumes from Teflon®/Moly are pretty potent, and
wearing a respirator
is highly recommended. Since I was using an airbrush to
apply the
finish, I prepared the finish while the pieces were warming
in the
oven. Tony Barnes, our resident expert in finishes, told me
that a
4 parts finish to 1 part thinner was pretty good to prevent
build-up
in the pin holes and keep the finish from affecting fit. Make
sure
that you use Brownells
Teflon®/Moly Gun Finish Thinner only, as an
off-the-shelf
thinner will not work. Once the finish was ready, I checked
to make
sure that I had a backstop set up to prevent overspray. A
piece of
cardboard worked nicely for this. I took the slide out of the
oven,
hung it from the rack, and got ready to
spray. |
I started the spray of my base
coat off of the slide, which kept any
“blurps” from the airbrush from landing on the
slide, and
used a side-to-side motion to cover the part. Keeping the
airbrush (or
the aerosol can) in constant motion will help prevent any runs
or drips.
Since the part is still pretty warm, the first layer dries almost
immediately
when it comes into contact with the metal. I didn’t
notice much
color on the first pass, but as I went over the part a second
and third
time, the color really popped out at me. I made several trips
around the
slide to make sure that the entire part was evenly covered
before making
repeat passes over areas that had been sprayed. Once the
slide was completely
covered, I hung them so they would dry thoroughly and got
the next piece
out and repeated the procedure. Once all the parts had been
covered, I
turned to oven to 350 F (but no higher) and let the parts
bake for a minimum
of 30 minutes. It’s even better if you leave them in
for 45 minutes
just to make sure they’re really dry. Don’t be
alarmed if
smoke rolls out, this is normal. If you have an exhaust fan
over the oven,
use it! The finish has an odor that doesn’t smell like
potpourri,
if you know what I mean!
Figure 3: Frame After
Airbrushing |
After 30
minutes, I turned the oven off and opened the door to let the
parts cool down for inspection. I was very pleased with the even
coverage of the finish. There were no runs or drips, and no areas
that seemed to be thicker than others. The color was very uniform
across all the parts, and (amazingly) I didn’t miss any areas with
the airbrush. |
| In order to
complete the desert camouflage concept, I needed to repeat the
process with the Coyote color. Since the camouflage would not
look right if each piece was finished separately, I assembled the
pistol without the internal parts. This would keep the pattern
consistent across the pistol, and the contrasting color would match
up. |

Figure 4: Parts After
Baking
|
I repeated the first procedure
again, warming the
assembled pistol, and then creating the camouflage pattern
using the airbrush.
This is where you are limited only by your imagination: you
can create
whatever pattern you want. Our resident camouflage expert,
Tim Dillon,
has sprayed through wire screen, used pine needles, leaves
and other items
to create interesting patterns. A little experimentation can let
you come
up with a pattern that will be both functional and unique. I
went for
something simple, just a few lines to break up the outline of
the pistol,
but oftentimes, simple is good.

After I reassembled the pistol, I
went through
a function check and everything worked perfectly. There was
no build-up
in any of the pin holes, and all of the pieces fit without
scratching
any of the finish off. In order to finish off the 1911, I needed
to get
the grips to match the colors on the gun. Obviously, baking
wooden grips
in the oven was not an option. I chose Brownells
Aluma-Hyde II in the same colors as the Teflon®/Moly:
Coyote and Desert Tan. This aerosol finish did not require
baking, but
it does require a week-long cure to fully set up. I wired the
grips and
the grip screws in the same way as the other parts and
warmed them with
a hair dryer. I used the Desert Tan as a base coat, and then
added Coyote
on the edges to break up the shape of the grips.
|
|
Using the aerosol cans does not allow for the precise
control that
an airbrush gives, but the results were fantastic and the
colors were
an exact match. The entire project took about 2 1/2 hours
to complete,
and I was thoroughly pleased with the results. This was
my first time
attempting something like this, and by following the
directions on
the cans, I had no problems. If I can do it, so can you! As
always,
if you have any questions, don’t hesitate to call
our Gun Techs,
and they will be glad to help you out. |
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